The use of film and video in/as therapy has a decades-long history in practice. Early work in this field included the post-World War II use of experimental, non-narrative films to calm veterans suffering from shell shock, and the 1970s saw boys in a group creating short films together to foster group cohesion, mastery skills, and better communication. With the advent of portable video equipment in the 1970s, female artists began turning the camera on themselves, making them the object of their own gaze. The precursor to the selfie’ Despite this fact, there is a dearth of literature on the theory and practice of using film/video production as therapy and the multidisciplinary practitioners who support its use. Copious literature exists discussing the use of several related media in a therapeutic context, such as photography, writing, drawing, music, and drama, but this body of literature is virtually vacant of film/video as a therapeutic medium. Despite the fact that there is little writing in this area, numerous practitioners from around North America and Europe are quietly working in this area – often independently, as the community of practitioners in this field is still quite small and geographically scattered. In an effort to build community among film/video-based therapy practitioners, and to introduce our work to others in our broader practice and research communities, we introduce this edited book on the theory and practice of film/video-based therapy. Representing the fields of anthropology, psychology, and art therapy, drama therapy, expressive art therapies, and perspectives as diverse as psychodynamic theory, and narrative theory, this book is the quintessential introductory resource for film/video-based therapy. This anthology is intended as an introductory foundation for the broad array of work we do in this exciting field, and is intended to introduce, justify, and explicate our practice to a broader audience.